Plug the RCA leads from your playback equipment into the USB audio interface and plug the audio interface into a USB socket on your computer. Always connect to a spare USB port. Connecting to a USB hub attached to a USB port is almost certain to cause audio dropouts.
A pair of phone connectors: A plug (right) is inserted in a socket (jack, left) Note the flat open contact spring parallel to and inside the tip contact spring. When the plug is removed, those contacts close to connect a circuit; such a connection is said to be 'normal'. Inserting the plug connects its tip to one part of that circuit instead. A phone connector, also known as phone jack, audio jack, headphone jack or jack plug, is a family of electrical connectors typically used for.
The phone connector was invented for use in in the 19th century and is still widely used. The phone connector is cylindrical in shape, with a grooved tip to retain it. In its original audio configuration, it typically has two, three, four and, occasionally, five contacts.
Three-contact versions are known as TRS connectors, where T stands for, R stands for and S stands for 'sleeve'. Ring contacts are typically the same diameter as the sleeve, the long shank.
Similarly, two-, four- and five- contact versions are called TS, TRRS and TRRRS connectors respectively. The outside diameter of the 'sleeve' conductor is 6.35 millimetres ( 1⁄ 4 inch). The 'mini' connector has a diameter of 3.5 mm (0.14 in) and the 'sub-mini' connector has a diameter of 2.5 mm (0.098 in).
Contents. Other terms Specific models, and connectors used in specific applications, may be termed e.g. Stereo plug, headphone jack, microphone jack, aux input, etc. The 3.5 mm versions are commonly called mini-phone, mini-stereo, mini jack, etc. In the UK, the terms jack plug and jack socket are commonly used for the respective male and female phone connectors.
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In the US, a stationary (more fixed) is called a jack. The terms phone plug and phone jack are sometimes used to refer to different genders of phone connectors, but are also sometimes used to refer to and older and the corresponding jacks that connect wired telephones to wall outlets. Phone plugs and jacks are not to be confused with the similar terms phono plug and phono jack (or in the UK, phono socket) which refer to common in consumer hi-fi and audiovisual equipment. The 3.5 mm connector is, however, sometimes—but counter to the connector manufacturers' nomenclature —referred to as mini phono. Historical development. Phone connectors:. 2.5 mm mono (TS).
3.5 mm mono (TS). 3.5 mm stereo (TRS). 6.35 mm ( 1⁄ 4 in) (TRS) Quarter-inch size Modern phone connectors are available in three standard sizes. The original 1⁄ 4 inch (6.35 mm) version descends from as early as 1877, when the first-ever telephone switchboard was installed at 109 Court Street in Boston in a building owned by Charles Williams, Jr.; or 1878, when an early switchboard was used for the first commercial in New Haven, Connecticut created by George W.
The 1877 switchboard was last known to be located in the lobby of 185 Franklin Street, Boston. In February 1884, C.E. Scribner was issued US Patent 293,198 for a 'jack-knife' connector that is the origin of calling the receptacle a 'jack'. Scribner was issued U.S. Patents 262,701, 305,021, and 489,570 relating to an improved design that more closely resembles the modern plug. The current form of the switchboard-plug was patented prior to 1902, when Henry P.
Clausen received a patent on an improved design. It is today still used on mainstream musical equipment, especially on. Was the manufacturing arm of the, and thus originated or refined most of the engineering designs, including the telephone jacks and plugs which were later adopted by other industries, including the U.S. By 1907, Western Electric had designed a number of models for different purposes, including:. Code No.
47 2-conductor plugs for use with type 3, 91, 99, 102, 103, 108, and 124 jacks-used for switchboards. Code No. 85 3-conductor plugs for use with type 77 jacks-used for the operator's head telephone. Code No. 103 twin 2-conductor plugs for use with type 91, and type 99 jacks-used for the operator's head telephone and chest transmitter (microphone). Code No.
109 3-conductor plugs for use with jack 92 on telephone switchboards (with the same basic shape as the modern Bantam plugs). Code No. 110, 3-conductor plug for use with jacks 49, 117, 118, 140, and 141 on switchboards. Code No. 112, twin 2-conductor plug for use with jacks 91 and 99-used for the operator's head telephone and chest, with a transmitter cutout key (microphone mute). Code No. 116, 1-conductor plug for use with cordless jack boxes.
Code No. A dual 310 patch cable, two-pin phone plug. A two-pin version, known to the telecom industry as a '310 connector', consists of two phone 1⁄ 4 inch phone plugs at a centre spacing of 5⁄ 8 inch (16 mm). The socket versions of these can be used with normal phone plugs provided the plug bodies are not too large, but the plug version will only mate with two sockets at 5⁄ 8 inches centre spacing, or with line sockets, again with sufficiently small bodies. These connectors are still widely used today in telephone company central offices on 'DSX' patch panels for DS1 circuits. A similar type of 3.5 mm connector is often used in the armrests of older aircraft, as part of the on-board system.
Plugging a stereo plug into one of the two mono jacks typically results in the audio coming into only one ear. Adapters are available. A short-barrelled version was used for 20th century high-impedance mono headphones, and in particular those used in. It is physically possible to use a normal plug in a short socket, but a short plug will neither lock into a normal socket nor complete the tip circuit. These have become rare.
Aviation and US military connectors US military phone connectors include both 0.25 in (6.35 mm) and 0.21 in (5.34 mm) diameter plugs, which both mate with the M641-series open frame jacks, exemplified by Switchcraft C11 and C12 jacks. Military specifications and standards relating to phone connectors include MIL-STD 202, MIL-P-642/., and MIL-J-641. Headphones Commercial and (GA) civil airplane headset plugs are similar, but not identical. A standard 1⁄ 4 in monaural plug, type PL-55 (both two-conductor phone plugs, a.k.a. PJ-055B, which mate with JK-24 and JK-34A jacks) is used for headphones.
On many newer GA aircraft the headphone jack is a standard 1⁄ 4 in phone connector wired in the standard unbalanced stereo configuration instead of the PJ-055 to allow stereo music sources to be reproduced. Microphones Aviation headphones are paired with special tip-ring-sleeve, 0.206 inch/5.23 mm diameter plug, type PJ-068 (PL-68, for the microphone. The PJ-068 mates with a JK-33 jack (Switchcraft C-12B), and is similar to the Western Electric plug WE-109. In the microphone plug the Ring is used for the microphone 'hot' and the sleeve is common or microphone 'Lo'.
The extra (tip) connection in the microphone plug is often left unconnected but is also sometimes used for various functions, most commonly an optional push-to-talk switch, but on some aircraft it carries headphone audio and on others a DC supply. Aviation plug type U-174/U or Nexus TP120, commonly used on military aircraft and civil helicopters Helicopter headsets Military aircraft and civil helicopters have another type termed a U-174/U. These are also termed 'NATO plugs' or Nexus TP120 phone plugs. They are similar to 1⁄ 4 in (6.35 mm) plug, but with a 7.10 mm (0.280 in) diameter short shaft with an extra ring, i.e. Four conductors in total, allowing two for the headphones (mono), and two for the microphone.
There is a confusingly similar four pole (or four conductor) British connector with a slightly smaller diameter and a different wiring configuration used for headsets in many UK Military aircraft and often also referred to as a NATO or 'UK NATO' connector. Mono and stereo compatibility. Modern profile 2-conductor male 1⁄ 4 in TS connectors The original application for the 6.35 mm ( 1⁄ 4 in) phone jack was in manual telephone exchanges. Many different configurations of these phone plugs were used, some accommodating five or more conductors, with several tip profiles.
Of these many varieties, only the two-conductor version with a rounded tip profile was compatible between different manufacturers, and this was the design that was at first adopted for use with, and many other items of audio equipment. When a three-conductor version of the 6.35 mm jack was introduced for use with headphones, it was given a sharper tip profile in order to make it possible to manufacture jacks (sockets) that would accept only stereo plugs, to avoid short-circuiting the right channel of the amplifier. This attempt has long been abandoned, and now the convention is that all plugs fit all sockets of the same size, regardless of whether they are balanced or unbalanced, mono or stereo. Most 6.35 mm plugs, mono or stereo, now have the profile of the original stereo plug, although a few rounded mono plugs are also still produced.
The profiles of stereo miniature and subminiature plugs have always been identical to the mono plugs of the same size. The results of this physical compatibility are:. If a two-conductor plug of the same size is connected to a three-conductor socket, the result is that the ring (right channel) of the socket is grounded. This property is deliberately used in several applications. However, grounding one channel may also be dangerous to the equipment if the result is to the output of the right channel.
In any case, any signal from the right channel is naturally lost. If a three-conductor plug is connected to a two-conductor socket, normally the result is to leave the ring of the plug unconnected (open circuit). In the days of this was also potentially dangerous to equipment but most solid-state devices tolerate this condition well.
A three-conductor socket could be wired as an unbalanced mono socket to ground the ring in this situation, but the more conventional wiring is to leave the ring unconnected, exactly simulating a mono socket. If a male three-conductor plug is partially inserted into a female two-conductor socket such that the female ring contact bridges the gap of the male plug tip and first ring, then an identical signal will be connected to both these conductors, thus simulating a 'Y' connection. This is not a reliable connection and is only useful in a test or emergency situation. Analog low and line level audio circuits usually tolerate this well if the volume (current) is not excessive, though other circuits may not because of the typical surge current that occurs at the moment all three conductors engage. Common example of condition: a typical 3.5 mm earphone socket of a mono radio or micro amp has a stereo headphone plug partly inserted. Mono audio should be delivered to both speakers if the plug depth is carefully adjusted in the socket. Because of a lack of standardization in the past regarding the dimensions (length) given to the ring conductor and the insulating portions on either side of it in 6.35 mm ( 1⁄ 4 in) phone connectors and the width of the conductors in different brands and generations of sockets, there are occasional issues with compatibility between differing brands of plug and socket.
This can result in a contact in the socket bridging (shorting) the ring and sleeve contacts on a phone connector. General use. A 3.5 mm 5-conductor TRRRS phone connector The most common arrangement remains to have the male plug on the cable and the female socket mounted in a piece of equipment: the original intention of the design.
A considerable variety of line plugs and panel sockets is available, including plugs suiting various cable sizes, right-angle plugs, and both plugs and sockets in a variety of price ranges and with current capacities up to 15 for certain heavy duty 1⁄ 4 in versions intended for connections. Some common uses of phone plugs and their matching sockets are:. and jacks on a wide range of equipment. 6.35 mm ( 1⁄ 4 in) plugs are common on home and professional component equipment, while 3.5 mm plugs are nearly universal for portable audio equipment. 2.5 mm plugs are not as common, but are used on communication equipment such as,. Consumer electronics devices such as, and use 3.5 mm connectors for composite video and audio output. Typically, a TRS connection is used for mono unbalanced audio plus video, and a TRRS connection for stereo unbalanced audio plus video.
Cables designed for this use are often terminated with on the other end. Sony also used this style of connection as the TV-Out on some models of VAIO laptop. Hands-free sets and headsets often use 3.5 mm or 2.5 mm connectors. Phone connectors are used for mono audio out and an unbalanced microphone (with a shared ground). Four-conductor TRRS phone connectors are used to add an additional audio channel such as microphone input added to stereo output.
TRRS connectors used for this purpose are sometimes interoperable with TRS connectors, depending on how the contacts are used. inputs on tape and cassette recorders, sometimes with remote control switching on the ring, on early, monaural cassette recorders mostly a dual-pin version consisting of a 3.5 mm TS for the microphone and a 2.5 mm TS for remote control which switches the recorder's power supply. Patching points on a wide range of equipment., sometimes using a plugged into the computer. Stereo 3.5 mm jacks are used for:.
Line in (stereo). Line out (stereo). Headphones/loudspeaker out (stereo). Microphone input (mono, usually with 5 V power available on the ring. Note that traditional, incompatible, use of a stereo plug for a mono microphone is for balanced output). Older generally have one jack for headphones and one mono jack for a microphone at microphone level. An attenuating cable can be used to convert or use a signal from an, but is not designed to record from a stereo device such as a radio or music player.
Newer computers may feature a single TRRS female jack. and plug modifiable synthesizers. LCD monitors with built-in speakers will need a cable with 3.5 mm male TRS plugs on each end to connect to the sound card. Note: Some higher-end sound cards provide a breakout panel which supports 1⁄ 4 in plug devices as well.
Devices designed for surround output may use multiple jacks for paired channels (e.g. TRS for front left and right; TRRS for front center, rear center, and subwoofer; and TRS for surround left and right).
Circuitry on the sound device may be used to switch between traditional Line In/Line Out/Mic functions and surround output. Almost all electric guitars use a 1⁄ 4 in mono jack (socket) as their output connector.
Some makes (such as ) use a stereo jack instead for stereo output, or a second stereo jack, in addition to a mono jack (as with ). for guitars, basses and similar amplified. 1⁄ 4 in jacks are overwhelmingly the most common connectors for:. Inputs.
A shielded cable with a mono 1⁄ 4 in phone plug on each end is commonly termed a guitar cable or a patch cable, the first name reflecting this usage, the second the history of the phone plug's development for use in manual telephone exchanges. outputs, especially on low-end equipment. On professional loudspeakers, connectors carry higher current, mate with greater contact area, lock in place and do not short out the amplifier upon insertion or disconnection. However, some professional loudspeakers carry both Speakon and TRS connectors for compatibility. Heavy-duty 1⁄ 4 in loudspeaker jacks are rated at 15 A maximum which limits them to applications involving less than 1,800 watts. 1⁄ 4 in loudspeaker jacks commonly are not rigged to lock the plug in place and will short out the amplifier's output circuitry if connected or disconnected when the amplifier is live.
Line outputs. Foot switches and effects pedals.
Stereo plugs are used for double switches (for example by ). There is little compatibility between makers. Effects loops, which are normally wired as patch points. use jacks for a similar range of uses to guitars and amplifiers, and in addition.
Sustain pedals. Expression pedals. use jacks to connect sensor pads to the module or encoder. In this usage, a change in voltage on the wire indicates a drum stroke. Some compact and/or economy model audio use stereo jacks for balanced microphone inputs.
The majority of professional audio equipment uses TS jacks as the standard unbalanced input or output line-level connector. TRS jacks are sometimes used for balanced connections, the latter often alongside (or sometimes in the middle of) and as an alternative to an balanced line connector. commonly use monophonic cables for creating. Quarter-inch phone connectors are widely used to connect external processing devices to ' insert points (see ). Two- or three-conductor phone connectors might be used in pairs as separate send and return jacks, or a single three-conductor phone jack might be employed for both send and return, in which case the signals are unbalanced. The one unbalanced combination send/return TRS insert jack saves both panel space and component complexity, but may introduce a slight.
Insert points on mixing consoles may also be XLR, RCA or bantam TT (tiny telephone) jacks, depending on the make and model. Some small electronic devices such as audio cassette players, especially in the cheaper price brackets, use a two-conductor 3.5 mm or 2.5 mm phone jack as a.
Some photographic studio lights have 1⁄ 4 in or 3.5 mm jacks for the input. A camera's electrical flash output (PC socket or adapter) is cabled to the strobe light's sync input jacks. Some examples: Calumet Travelite, and Speedotron use a 1⁄ 4 in mono jack as the sync input; White Lightning uses 1⁄ 4 in stereo jacks; PocketWizard (radio trigger) and AlienBees use 3.5 mm mono jacks.
Some cameras (for example, Canon, Sigma, and Pentax ) use the 2.5 mm stereo jack for the connector for the remote shutter release (and focus activation); examples are Canon's RS-60E3 remote switch and Sigma's CR-21 wired remote control. Some miniaturized electronic devices use 2.5 mm or 3.5 mm jacks as connectors for data transfer and unit programming. This technique is particularly common on, such as the, and some types of and, though in some more modern equipment connectors are provided in addition to or instead of jack connectors. The second-generation from Apple has one TRRS jack which serves as headphone, USB, or power supply, depending on the connected plug.
Samsung YP-S MP3 player 'pebble' uses USB-to-3.5 mm TRRS jack adapter for charging as well as for data transfer. On cameras and video encoders, mono audio in (originating from a microphone in or near the camera) and mono audio out (destined to a speaker in or near the camera) are provided on one three-conductor connector, where one signal is on the tip conductor and the other is on the ring conductor. The Atari 2600 (Video Computer System), the first widely popular home video game console with interchangeable software programs, used a 3.5 mm TS (two conductor) jack for 9 V 500 mA DC power. Later systems included the (for loading software from cassette) and the (for stereo audio output). The personal computer used a three-conductor TRS phone connector for its keyboard.
The Sangean DCR-200 radio uses a wire aerial terminating with a 2.5 mm phone connector. Computer sound. A 3.5 mm headphone socket (TRS) on a computer, such as ' line, use a 3.5 mm phone connector as a mono microphone input, and deliver a 5 V polarizing voltage on the ring to power. Sometimes termed phantom power, this is not a suitable power source for microphones designed for true and is better termed bias voltage. (Note that this is not a polarizing voltage for the condenser, as by definition have an intrinsic voltage; it is power for a preamplifier built into the microphone.) Compatibility between different manufacturers is unreliable. The microphone jack used on some older Macintosh systems is designed to accept an extended 3.5 mm three-conductor phone connector; in this case, the tip carries power for a inside the microphone. If a PlainTalk-compatible microphone is not available, the jack can accept a sound input, though it cannot accept a standard microphone without a preamp.
Normally, 3.5 mm three-conductor sockets are used in computer sound cards for stereo output. Thus, for a sound card with 5.1 output, there will be three sockets to accommodate six channels: 'front left and right', 'surround left and right', and 'center + subwoofer'. 6.1 and 7.1 channel sound cards from Creative Labs, however, use a single three-conductor socket (for the front speakers) and two 4-conductor sockets. This is to accommodate rear-center (6.1) or rear left and right (7.1) channels without the need for additional sockets on the sound card. (Note that Creative's documentation uses the word 'pole' instead of 'conductor'.) Some portable computers have a combined 3.5 mm jack, supporting stereo audio output using a TRS connector, or TOSLINK (stereo or 5.1 /) digital output using a suitable optical adapter. Most iMac computers have this digital/analog combo output feature as standard, with early MacBooks having two ports, one for analog/digital audio input and other for output.
Support for input was dropped on various later models Some newer computers, such as Lenovo laptops, have 3.5 mm TRRS headset sockets, which are compatible with phone headsets and may be distinguished by a headset icon instead of the usual headphones or microphone icons. These are particularly used for. Different length 3.5 mm TRRS connectors Equipment requiring video with stereo audio input/output sometimes uses 3.5 mm TRRS connectors. Two incompatible variants exist, of 15 millimetres (0.59 in) and 17 mm (0.67 in) length, and using the wrong variant may either simply not work, or could cause physical damage. Attempting to fully insert the longer (17 mm) plug into a receptacle designed for the shorter (15 mm) plug may damage the receptacle, and may damage any electronics located immediately behind the receptacle. However, partially inserting the plug will work as the tip/ring/ring distances are the same for both variants. Using the shorter plug in a socket designed for the longer connector will result in the plug not 'locking in', and may additionally result in wrong signal routing and/or a short circuit inside the equipment (e.g.
The plug tip may cause the contacts inside the receptacle - tip/ring 1, etc. to short together). The shorter 15 mm TRRS variant is more common and fully physically compatible with 'standard' 3.5 mm TRS and TS connectors.
Recording equipment. Stereo devices which use 'plug-in power': the electret capsules are wired in this way. Many small video cameras, laptops, recorders and other consumer devices use a 3.5 mm microphone connector for attaching a (mono/stereo) microphone to the system. These fall into three categories:. Devices that use an un-powered microphone: usually a cheap or microphone. The microphone generates its own voltage, and needs no power. Devices that use a self-powered microphone: usually a microphone with internal battery-powered amplifier.
Devices that use a 'plug-in powered' microphone: an containing an internal amplifier. These provide a good quality signal, in a very small microphone.
However, the internal FET needs a DC power supply, which is provided as a bias voltage for an internal preamp transistor. Plug-in power is supplied on the same line as the audio signal, using an RC filter. The DC bias voltage supplies the FET amplifier (at a low current), while the capacitor decouples the DC supply from the AC input to the recorder. Typically, V=1.5 V, R=1 kΩ, C=47 µF.
If a recorder provides plug-in power, and the microphone does not need it, everything will usually work ok, although the sound quality may be lower than expected, as the microphone may not work optimally with a constant DC current flowing through it. In the converse case (recorder provides no power; microphone needs power), no sound will be recorded.
Neither misconfiguration will damage consumer hardware, but providing power when none is needed could destroy a broadcast-type microphone. PDAs and mobile phones.
All models from the first generation to the 6S and SE use a four-conductor (TRRS) phone connector (center) for a wired headset. Microphone and control (right). Three- or four-conductor (TRS or TRRS) 2.5 mm and 3.5 mm sockets are common on, providing mono (three conductor) or stereo (four conductor) sound and a microphone input, together with signaling (e.g., push a button to answer a call). Three-conductor 2.5 mm connectors are particularly common on older phones, while four-conductor 3.5 mm connectors are more common on newer smartphones. These are used both for (esp. Mono audio plus mic, also stereo audio plus mic, plus signaling for call handling) and for (stereo) headphones (stereo audio, no mic).
Wireless (connectorless) headsets or headphones usually use the protocol. There is no recognised standard for TRRS connectors or compatibility with three conductor TRS.
The four conductors of a TRRS connector are assigned to different purposes by different manufacturers. Any 3.5 mm plug can be plugged mechanically into any socket, but many combinations are electrically incompatible.
For example, plugging TRRS headphones into a TRS headset socket (or vice versa) or plugging TRRS headphones from one manufacturer into a TRRS socket from another may not function correctly, or at all. Mono audio will usually work, but stereo audio or microphone may not work, depending on wiring. Signaling compatibility depends both on wiring compatibility and the signals sent by the hands-free/headphones controller being correctly interpreted by the phone. Adapters that are wired for headsets will not work for stereo headphones and conversely. Further, as TTY/ are wired as headsets, TTY adapters can also be used to connect a 2.5 mm headset to a phone. 3.5 mm TRRS (stereo-plus-mic) sockets became particularly common on, and have been used e.g. By Nokia since 2006; they are often compatible with standard 3.5 mm stereo headphones.
Two different forms are frequently found, both of which place left audio on the tip and right audio on the first ring (mirroring the configuration found on stereo connectors). Where they differ is in the placement of the microphone and return contacts. The first, which places the ground return on the second ring and the microphone on the sleeve, is used by 's line (through the iPhone 6), devices, recent, and phones, among others. The second, which reverses these contacts, is used by older Nokia mobiles, older smartphones, and some phones.
Some adapters switch the last two conductors to allow a device made to one standard to be used with a headset made to the other. Some computers now include a TRRS headset socket, compatible with headsets intended for smartphones. One such pin assignment, with ground on the sleeve, is standardized in and has been accepted as a national Chinese standard YDT 1885-2009.
TRRS standards Standard Tip Ring 1 Ring 2 Sleeve Devices using this standard Left audio Right audio Microphone Ground Old Nokia (and also starting from the 2nd generation), old Samsung (2012 ), old Sony Ericsson (2010 and 2011 Xperias), Sony , all phones sold in China after 2009. , AHJ Left audio Right audio Ground Microphone Apple, HTC, LG, Blackberry, latest Nokia ( including 1st generation Lumia as well as later models ), latest Samsung, Jolla, Sony (Dualshock 4), Microsoft (including Surface and Xbox One controller with chat adapter), most Android phones. CTIA-style AV Left audio Right audio Ground video Apple iPod (up to 6th generation), Alpine iLX-702D, Raspberry Pi (2014 onwards), Xbox 360 E, Zune, some mobile phones. Video/audio 1 Left audio video Ground Right audio Sony and Panasonic camcorders. On some early Sony camcorders, this socket doubled up as a headphone socket. When a headphone plug was inserted, ring 2 was shorted to the sleeve contact and the camcorder output the right audio on ring 1.
Video/audio 2 video Left audio Right audio Ground Unknown camcorders, portable VCD and DVD players, Western Digital TV live!, some newer LG TVs. Video/audio 3 video Left audio Ground Right audio Toshiba TVs Notes. The 4-pole 3.5 mm connector is defined by the Japanese standard JEITA/EIAJ RC-5325A, '4-Pole miniature concentric plugs and jacks', originally published in 1993.
3-pole 3.5 mm TRS connectors are defined in JIS C 6560. See also JIS C 5401 and IEC 60130-8. Some devices transparently handle many jack standards, and there are hardware implementations of this available as components.
The Android Wired Audio Headset Specification requires the CTIA pinout order (LRGM), 'Except in regions with legal requirements for OMTP pinout'. This document also describes the headset button actions, and these may be taken from the CTIA spec. The USB Type-C Cable and Connector Specification Revision 1.1 specifies a mapping from a jack to a 4-pole TRRS jack, for the use of headsets, and supports both CTIA and OMTP (YD/T 1885-2009) modes. See Audio Adapter Accessory Mode (Appendix A).
TRRRS standards New TRRRS standard for 3.5 mm connectors was developed and recently approved by ITU-T. The new standard, called P.382 (formerly P.MMIC), outlines technical requirements and test methods for a 5-pole socket and plug configuration. Compared to legacy TRRS standard TRRRS provides one extra line that can be used for connecting a second microphone or external power to/from the audio accessory. P.382 requires compliant sockets and plugs to be backwards compatible with legacy TRRS and TRS connectors. Therefore, P.382 compliant TRRRS connectors should allow for seamless integration when used on new products. TRRRS connectors enable following audio applications: active noise cancelling, binaural recording and others, where dual analogue microphone lines can be directly connected to a host device. Switch contacts.
Miniature phone plugs and jacks. All are 3.5 mm except the gold-plated plug, which is 2.5 mm. One of the 3.5 mm jacks is two-conductor and the others are three conductor. In this collection the tan-colored jacks have normally-closed switches. Panel-mounting jacks are often provided with switch contacts. Most commonly, a mono jack is provided with one normally closed (NC) contact, which is connected to the tip (live) connection when no plug is in the socket, and disconnected when a plug is inserted.
Stereo sockets commonly provide two such NC contacts, one for the tip (left channel live) and one for the ring or collar (right channel live). Some designs of jack also have such a connection on the sleeve. As this contact is usually ground, it is not much use for signal switching, but could be used to indicate to electronic circuitry that the socket was in use. Less commonly, some jacks are provided with normally open (NO) or change-over contacts, and/or the switch contacts may be isolated from the connector.
The original purpose of these contacts was for switching in telephone exchanges, for which there were many patterns. Two sets of change-over contacts, isolated from the connector contacts, were common. The more recent pattern of one NC contact for each signal path, internally attached to the connector contact, stems from their use as headphone jacks. In many amplifiers and equipment containing them, such as electronic organs, a headphone jack is provided that disconnects the loudspeakers when in use.
This is done by means of these switch contacts. In other equipment, a dummy load is provided when the headphones are not connected. This is also easily provided by means of these NC contacts. Other uses for these contacts have been found. One is to interrupt a signal path to enable other circuitry to be inserted. This is done by using one NC contact of a stereo jack to connect the tip and ring together when no plug is inserted.
The tip is then made the output, and the ring the input (or vice versa), thus forming a. Another use is to provide alternative mono or stereo output facilities on some guitars and electronic organs. This is achieved by using two mono jacks, one for left channel and one for right, and wiring the NC contact on the right channel jack to the tip of the other, to connect the two connector tips together when the right channel output is not in use.
This then mixes the signals so that the left channel jack doubles as a mono output. Where a 3.5 mm or 2.5 mm jack is used as a DC power inlet connector, a switch contact may be used to disconnect an internal battery whenever an external power supply is connected, to prevent incorrect recharging of the battery.
A standard stereo jack is used on most battery-powered guitar to eliminate the need for a separate power switch. In this configuration, the internal battery has its negative terminal wired to the sleeve contact of the jack. When the user plugs in a two-conductor (mono) guitar or microphone lead, the resulting short-circuit between sleeve and ring connects an internal battery to the unit's circuitry, ensuring that it powers up or down automatically whenever a signal lead is inserted or removed. A drawback of this design is the risk of inadvertently discharging the battery if the lead is not removed after use, such as if the equipment is left plugged in overnight. Examples of jack configurations, oriented so the plug 'enters' from the right. The most common circuit configurations are the simple mono and stereo jacks (A and B); however there are a great number of variants manufactured.
A two-conductor TS phone connector. The connection to the sleeve is the rectangle towards the right, and the connection to the tip is the line with the notch. Wiring connections are illustrated as white circles.
A three-conductor TRS phone connector. The upper connector is the tip, as it is farther away from the sleeve. The sleeve is shown connected directly to the chassis, a very common configuration. This is the typical configuration for a balanced connection. Some jacks have metal mounting connections (which would make this connection) and some have plastic, to isolate the sleeve from the chassis, and provide a separate sleeve connection point, as in A. This three-conductor jack has two isolated. They are activated by a plug going into the jack, which disconnects one throw and connects the other.
The white arrowheads indicate a mechanical connection, while the black arrowheads indicate an electrical connection. This would be useful for a device that turns on when a plug is inserted, and off otherwise, with the power routed through the switches. This three-conductor jack has two normally closed switches connected to the contacts themselves. This would be useful for a patch point, for instance, or for allowing another signal to feed the line until a plug is inserted. The switches open when a plug is inserted. A common use for this style of connector is a stereo headphone jack that shuts off the default output (speakers) when the connector is plugged in. Sleeve: usually ground.
Ring: Right-hand channel for stereo signals, negative polarity for balanced mono signals, power supply for power-using mono signal sources. Tip: Left-hand channel for stereo signals, positive polarity for balanced mono signals, signal line for unbalanced mono signals. Insulating rings Pin Unbalanced mono Balanced mono in/out (simplex) Unbalanced stereo In/out (simplex) Insert Tip Signal Send or return signal Positive, hot Left channel Ring Ground, or no connection Return or send signal Negative, cold Right channel Sleeve Ground Notes.
The first version of the popular Mackie 1604 mixer, the CR1604, used a tip negative, ring positive jack wiring scheme on the main left and right outputs. Early amplifiers used a tip negative, ring positive input wiring scheme. Whirlwind Line Balancer/Splitters do not use the sleeve as a conductor on their unbalanced 6.35 mm/ 1⁄ 4 in TRS phone input.
Tip and ring are wired to the transformer's two terminals; the sleeve is not connected. Balanced audio When a phone connector is used to make a connection, the two active conductors are both used for a signal. The ring, used for the right channel in stereo systems, is used instead for the inverting input. This is a common use in small audio, where space is a premium and they offer a more compact alternative to. Another advantage offered by TRS phone connectors used for balanced microphone inputs is that a standard unbalanced signal lead using a TS phone jack can simply be plugged into such an input. The ring (right channel) contact then makes contact with the plug body, correctly grounding the inverting input. A disadvantage of using phone connectors for balanced audio connections is that the ground mates last and the socket grounds the plug tip and ring when inserting or disconnecting the plug.
This causes bursts of hum, cracks and pops and may stress some outputs as they will be short circuited briefly, or longer if the plug is left half in. One convention that avoided this brief shorting in the professional audio world was to use the following convention for XLR and PJ-051/WE-310 patch bays, so that, 'By making the tip of the jack the low side of the line, the high side is physically protected against momentary shorts when patching in and out of the jackfield.' 1975 audio patch bay wiring XLR pin TRS contact Signal 1 Sleeve Ground 2 Tip Low 3 Ring High This problem does not occur when using the 'gauge B' (BPO) phone connector (PO 316) which although it is of 0.25 in (6.3 mm) diameter has a smaller tip and a recessed ring so that the ground contact of the socket never touches the tip or ring of the plug. This type was designed for balanced audio use, being the original telephone 'switchboard' connector and is still common in broadcast, telecommunications and many professional audio applications where it is vital that permanent circuits being monitored (bridged) are not interrupted by the insertion or removal of connectors. This same tapered shape used in the 'gauge B' (BPO) plug can be seen also in aviation and military applications on various diameters of jack connector including the PJ-068 and 'bantam' plugs. The more common straight-sided profile used in domestic and commercial applications and discussed in most of this article is known as 'gauge A'.
XLR connectors used in much professional audio equipment mate the ground signal on pin 1 first. Unbalanced audio Phone connectors with three conductors are also commonly used as unbalanced audio patch points (or insert points, or simply inserts), with the output on many mixers found on the tip (left channel) and the input on the ring (right channel). This is often expressed as 'tip send, ring return'. Other mixers have unbalanced insert points with 'ring send, tip return'. One advantage of this system is that the switch contact within the panel socket, originally designed for other purposes, can be used to close the circuit when the patch point is not in use. An advantage of the tip send patch point is that if it is used as an output only, a 2-conductor mono phone plug correctly grounds the input.
In the same fashion, use of a 'tip return' insert style allows a mono phone plug to bring an unbalanced signal directly into the circuit, though in this case the output must be robust enough to withstand being grounded. Combining send and return functions via single 1⁄ 4 in TRS connectors in this way is seen in very many professional and semi-professional audio mixing desks, because it halves the space needed for insert jack fields which would otherwise need two jacks, one for send and one for return. The tradeoff is that unbalanced signals are more prone to buzz, and outside interference. In some three-conductor TRS phone inserts, the concept is extended by using specially designed phone jacks that will accept a mono phone plug partly inserted to the first click and will then connect the tip to the signal path without breaking it. Most standard phone connectors can also be used in this way with varying success, but neither the switch contact nor the tip contact can be relied upon unless the internal contacts have been designed with extra strength for holding the plug tip in place.
Even with stronger contacts, an accidental mechanical movement of the inserted plug can interrupt signal within the circuit. For maximum reliability, any usage involving first click or half-click positions will instead rewire the plug to short tip and ring together and then insert this modified plug all the way into the jack. The TRS tip return, ring send unbalanced insert configuration is mostly found on older mixers. This allowed for the insert jack to serve as a standard-wired mono line input that would bypass the mic preamp. However tip send has become the generally accepted standard for mixer inserts since the early-to-mid 1990s. The TRS ring send configuration is still found on some compressor sidechain input jacks such as the dbx 166XL. In some very compact equipment, 3.5 mm TRS phone connectors are used as patch points.
Some devices use a three-conductor phone connector as a mono microphone input, using the tip as the signal path and the ring to connect a standby switch on the microphone. Poor connections Connectors that are tarnished, or that were not manufactured within tight tolerances, are prone to cause poor connections. Depending upon the surface material of the connectors, tarnished ones can be cleaned with a burnishing agent (for solid brass contacts typical) or contact cleaner (for plated contacts). See also. International Textbook Company, Scranton, PA. Robert McLeish (2005). IEEE and ANSI, New York, NY.
ASME, Fairfield, NJ. Archived from on 2010-03-13. Davis and Ralph Jones (1989). Hal Leonard. Digi-Key catalog. Mouser Electronics catalog. Switchcraft catalog.
PC Magazine Encyclopedia. Also called a 3.5 mm or 1/8' connector, it is a plug and socket widely used for analog audio signals in portable devices. RAM Electronics online catalog. (e.g.) 3.5mm female stereo mini phone jack to 1/4” male Stereo phone plug Adapter. Lewallen, Dale (1993).
Retrieved September 8, 2016. Remember that sound cards use the smaller 1/8-inch mini-phono plug. Retrieved September 8, 2016. 1/8-inch stereo mini-phono plug adapter. Retrieved September 8, 2016. 3.5 mm Plug/Jack: Also referred to as a 1/8 inch, auxiliary input, mini stereo, and mini phono. Retrieved September 8, 2016.
The 3.5mm mini-phono plug connector of the ATC Probe plugs into the 3.5mm mini-phono jack on the pH meter. Divine, John (September 7, 2016). Retrieved September 8, 2016.instead of the headphone jack. There will be a lightning-to-mini phono adapter included as well. Frank Lewis Dyer: Edison His Life And Inventions. (page: 71).
Retrieved 2017-10-25. Chapuis, Robert J. Amsterdam, The Netherlands: IOS Press. Scribner, C.E.
Retrieved 2016-09-11. Sony official website. Description of 3.5 mm earphone jack in described model:.
Retrieved 2016-01-25. (PDF), CUI Inc., retrieved 2017-09-29. Chinn, Howard (July 1947). Audio Engineering. 31, number 6. Retrieved 16 August 2018. Gibson, Bill.
(2007) Hal Leonard Corporation. Retrieved 17 August 2018. Retrieved 17 August 2018.
Amphenol Nexus Technologies, Inc. Retrieved 2012-01-12. Ranjan Parekh; Ranjan (2006). Tata McGraw-Hill Education. Full Compass. Retrieved October 24, 2011.
High power 2-conductor speaker jack carries 15A (continuous) audio speaker current levels. (PDF) boschsecurity.com Retrieved January 2016. Archived from on 2010-12-27. Retrieved 2013-07-14.: explanation of TRRS connectors and availability of adapter. Retrieved 2012-06-01. Retrieved 26 March 2017.
Retrieved 2017-08-17. Retrieved 18 April 2018. Retrieved 26 March 2017.
www.cablechick.com.au. Retrieved 16 August 2018. Sony and Panasonic camcorder service manuals. 'Nokia Lumia 820 and 920 support both American Headset Jack (AHJ) headsets and standard Nokia OMTP headsets.' . 'Nokia's Windows Phone 8 devices (Nokia Lumia 520, 521, 620, 720, 810, 820, 822, 920, 925, and 928) use a new universal connector, enabling the use of both AHJ and OMTP headsets.' Retrieved 26 March 2017.
Retrieved 2012-05-28. Retrieved 2012-05-28. Sweetwater (2000-01-13). Retrieved 2013-07-14.
Retrieved 2013-07-14. November 10, 2006, at the. Woram, John M. (October 1975). Db Magazine: The Sound Engineering Magazine. External links. Media related to at Wikimedia Commons.
BBC.
Complete system I/O for laptop performers. DJ iO is a compact, portable audio interface expressly designed for DJs, mobile music producers and other musicians who work with computers. You'll find DJ iO to be a convenient missing link in your setup because it connects easily with a standard USB cable to the computer and supplies extremely high-quality, 24-bit audio to output systems. DJ iO has stereo outputs for a main sound system, a secondary or monitoring system and headphones, as well as a microphone input with a hardware volume control. The audio interface comes with premium ASIO drivers, which enable you to easily optimize your system’s audio performance. DJs and other performers employ DJ iO in a wide variety of setups, most commonly involving music-mixing software and a hardware controller such as TOTAL CONTROL, STEALTH CONTROL, or MixMeister Control. Other performers including CD DJs and non-musician computer users can also appreciate DJ iO’s convenience and portability.
You can use DJ iO with Mac OS X, Windows XP, Vista and 7. Both 32 and 64-bit Windows are compatible. The USB device is bus-powered so no additional power supply is needed. Optionally, you can wall-power DJ iO with a six-volt AC adapter, which is sold separately.
![4 Cord Rca Input Usb Audio Card For Mac 4 Cord Rca Input Usb Audio Card For Mac](/uploads/1/2/5/4/125486853/826146421.jpg)
DJ iO delivers extremely low-latency audio performance for real-time playback accuracy at a choice of CD-quality 44.1kHz or premium 88.2kHz sample rates. DJ iO is compact and rugged enough to live in your gig bag. It has RCA stereo outputs and a headphone output so you can cue and output your main mix simultaneously.
DJ iO also has a 1/4' mic input so you can be the life of the party. FEATURES. DJ audio interface for use laptop performance.
Ultra low-latency playback for real-time mixing. Two independent RCA stereo outputs for main and recording systems.
Microphone input with adjustable gain (1/4'). Stereo headphone output (1/4' TRS). Studio-grade, 24–bit, 44.1 kHz and 88.2 kHz audio quality. ASIO drivers with control panel for fine-tuning system performance. USB bus powered, requires no wall power INCLUDES. DJ iO interface. USB cable.
Software CD. Quick start guide. How do I optimize latency settings for DJ iO with Traktor or Traktor LE?. Here's how to get to the latency settings.
Open Traktor or Traktor LE. Click on the 'Preferences' button in the upper right of the screen.
Click the '+' to the left of 'Audio Setup' in the upper left of the window. Select 'Soundcard' undereneath 'Audio Setup'. To the right, 'Audio Device,' 'Sample Rate,' and 'Audio Latency' settings will be displayed The following latency settings will allow smooth playback.
5.5ms. 11.5ms.
17ms. 23ms. 46ms.